The “Pietà” by Giovanni Bellini, weeping works of art

"Dead Christ Supported by the Madonna and St John" ("Pietà di Brera"), ca. 1465-1470, oil on table, Brera Art Gallery

Giovanni Bellini (Venice, 1433-1516) often tackled the iconographic theme of the “Pietà” and similar “Lamentation of Christ”.

Between 1465 and 1470, Bellini painted the so-called “Brera Pietà”, an image of pity and mourning in which Mary and John are seen holding Jesus. Below, on the wall of the grave, a short Latin inscription reads, “Every time these tear-swollen eyes will provoke sobs, perhaps it will be Bellini’s painting that is weeping.”

According to expert Massimo Rivoltella, “Bellini’s interpretation of the subject is imbued with his usual focus on the human aspects of Christ and Mary’s drama, in their solidarity and compassion – in the etymological sense of the word – for every man’s suffering.”

Rivoltella also explains that the artist took on the task of “leading the people admiring his work to the characters he depicted, towards a final goal of deep feeling. The touching, heart wrenching hues highlighted in the scene of Jesus’s mourning are aimed at shaking souls, to the point that people who see the painting start sobbing, overwhelmed by the pity for such pain, solitude, and unfairness” (M. Rivoltella, “Argomentazione, Parola, Immagine: retorica e forme della comunicazione”, EduCatt, Milan 2013).

Here are some of Bellini’s most heart wrenching examples of “Pietà”.